After working in the Milwaukee / Chicago, IL areas for a few years, Steve relocated to New York City in 2004. That same year, he was selected as a finalist to compete in the national jazz piano competition sponsored by the American Pianists Association in Indianapolis, IN.
In addition to performing at venues in and around NYC, he has also played at clubs and jazz festivals across the country and around the world. He has had the great privilege of sharing the stage with many superb musicians over the years, including Marlena Shaw, Eric Alexander, Jim Rotondi, Dr. Eddie Henderson, Brian Lynch, Killer Ray Appleton, Ian Hendrickson-Smith, Slide Hampton, and many more.
Steve's latest recording for Cellar Live records - ARRIVAL - is now available for purchase. This effort features some of NYC's finest musicians – Paul Gill on bass and Pete Van Nostrand on drums.
Steve Einerson Piano Eric Jacobson Trumpet John Christensen Bass Dave Bayles... See MoreSee Less
Greg Tardy Tenor saxophonist, who has released albums for the record labels SteepleChase Records, J Curve Records, and Impulse! Records. He has played with Elvin Jones, Avishai Cohen, Aaron Goldberg, Brad Mehldau, and Joshua Redman, among others. Tardy studied classical clarinet as a child, encouraged by his parents, both of whom were opera singers. His mother, Jo Anne Tardy, after singing classical music became a gospel-influenced jazz singer. After switching to tenor saxophone, Tardy played with funk bands in Milwaukee before his brother urged him to listen to jazz, after which he was especially influenced by John Coltrane’s recordings. He studied at the Wisconsin Conservatory of Music and at the University of New Orleans, along the way encountering Ellis Marsalis who became tutor and mentor. Resident in New York City from 1992, Tardy became deeply involved in the contemporary jazz and improvised music scenes. Among musicians with whom he has played are Rashied Ali, Omer Avitel, Jonathan Blake, Betty Carter, Steve Coleman, George Colligan, Ravi Coltrane, Sean Conly, Xavier Davis, Dave Douglas, Bill Frisell, Aaron Goldberg, Russell Gunn, Eric Harland, Tom Harrell, Antonio Hart, Andrew Hill, Elvin Jones, Joe Lovano, Ellis Marsalis, Jason Marsalis, Wynton Marsalis, Jay McShann, Mulgrew Miller, James Moody, John Patitucci, Nicholas Payton, Chris Potter, Dewy Redman, David Schumacher, Mark Turner and Bobby Watson, the latter being cited as an especially important influence.... See MoreSee Less
Bryan Cherry 🍒 is developing weapons of mass love to drop for y'all in a soul-drenched kinda way at the venerable Jazz Estate late night. Come down, get with it and Be Somebody! Love y'all!! Watch out for some very special guests!
The Jazz Estate is pleased to welcome, from New York City, saxophonist Adam Larson.
Twenty seven year-old saxophonist-composer Adam Larson, endorsed artist for P. Mauriat saxophones, D'Addario Woodwinds and Lebayle mouthpieces, began playing saxophone at the age of 11. As a high school student, Larson was a member of virtually every national program dedicated to showcasing excellence in young jazz talent including The Grammy Band, Next Generation Jazz Orchestra, Betty Carter Jazz Ahead, YoungArts Jazz Fellows, Telluride Student All-Stars, Jazz Band of America and many others. Described by critic Howard Reich of The Chicago-Tribune as “a player for whom the word ‘prodigious’ was coined”, by Peter Hum of the Ottawa Citizen as “a saxophonist who brings Donny McCaslin and Mark Turner to mind”, and by Nate Chinen of The New York Times as “a self-assured young saxophonist”, Larson has garnered numerous awards that distinguish him as one of the most promising artists of his generation. Upon completion of his Bachelors degree at The Manhattan School of Music in May of 2012, Larson was selected as a member of the inaugural Manhattan School of Music Jazz Institute to continue his studies as a Master’s student, where he graduated with honors as the recipient of the William H. Borden Award for Outstanding performance in Jazz, in 2014.
With four records under his name, Larson’s latest, entitled “Second City", will be released on the Inner Circle Music Label, in the Fall of 2017. Larson's 2015 debut for Inner Circle, "Seclective Amnesia" was featured in the New York Times, Downbeat, Saxophone Journal and several other publications in print and online. Larson keeps an active schedule with his groups and as a sideman, having performed at several venues across the U.S. including Birdland, The 55 Bar, The Jazz Gallery, The Blue Note, The Village Vanguard, Smalls, Cornelia St. Café, The Kitano, Dizzy’s Club-Coca Cola, Jazz at The Bistro, The Jazz Showcase, and several others. As a sideman, Adam has performed with numerous groups including Jamie Cullum, Ted Rosenthal, The Ari Hoenig Nonet, The Vanguard Jazz Orchestra, Otis Brown III Band, Michael Rodriguez Quintet and the Helen Sung Quartet. Larson's sound can be heard on numerous recordings from bandleaders such as Nils Weinhold, Bastian Weinhold, Marcus Lewis, Joo Chan Im, Victor Bastidas, and others.
Adam has been a part of several tours that have allowed him to see more of the world than he once thought possible. Larson's quartet was selected as one of ten ensembles to tour on behalf of the U.S. State Department's "American Music Abroad" program and toured Africa for 35 days in April 2015, visiting The Democratic Republic of Congo, Senegal, Benin and Ghana. Larson has also toured India, Taiwan, Holland, and Germany as well much of the United States. In October of 2017, Larson will travel to Poland to be the a guest artist, performing at the Sopot Jazz Festival.
Beyond maintaining an active touring and recording schedule, Larson continues to be a sought after clinician and master class presenter at several high schools and Universities across the Midwest and beyond. Appearances include Temple University, Yale, Manhattan School of Music, University of North Texas, Elmhurst College, Roosevelt College, University of Illinois, Univesity of Colorado-Greeley, Northern Illinois University, University of Wisconsin Eau-Claire, Illinois State University, Illinois Wesleyan University, Illinois Central College and Hutchinson Community College, among many others. Adam maintains an impressive portfolio of commissioned ensemble writing for school jazz ensembles, having written thirty original works to date. Larson is currently a Teaching Artist for Jazz at Lincoln Center’s Jazz For Young People, The New York Pops Ed education programs, and has a diverse private lesson studio of Skype students from the U.S. and abroad. Larson has also taught as a substitute at The Manhattan School of Music and New York University. Larson currently resides in Manhattan with his beautiful wife, Tierney and son, Jack.
Charles McPherson was born in Joplin, Missouri and moved to Detroit at age nine. After growing up in Detroit, he studied with the renowned pianist Barry Harris and started playing jazz professionally at age 19. He moved from Detroit to New York in 1959 and performed with Charles Mingus from 1960 to 1972. While performing with Mingus, he collaborated frequently with Harris, Lonnie Hillyer (trumpet), and George Coleman (tenor sax).
Mr. McPherson has performed at concerts and festivals with his own variety of groups, consisting of quartets, quintets to full orchestras. He was recently featured at Lincoln Center showcasing his original compositions and arrangements with a seven-piece ensemble. He has toured the U.S., Europe, Japan, Africa and South America with his own group, as well as with jazz greats Barry Harris, Billy Eckstine, Lionel Hampton, Nat Adderly, Jay McShann, Phil Woods, Wynton Marsalis, Tom Harrell, Randy Brecker, James Moody, Dizzy Gillespie, and others.
McPherson has recorded as guest artist with Charlie Mingus, Barry Harris, Art Farmer, Kenny Drew, Toshiko Akiyoshi, the Carnegie Hall Jazz Orchestra, and the Lincoln Center Jazz Orchestra with Wynton Marsalis. He has recorded as leader on Prestige, Fantasy, Mainstream, Discovery, Xanadu, and most recently Arabesque. His most recent recording is the highly acclaimed “Manhattan Nocturne.”
McPherson remains a strong, viable force on the jazz scene today. He is at the height of his powers. His playing combines passionate feeling with intricate patterns of improvisation. Throughout his five decades of being an integral performer of the music, Charles has not merely remained true to his Be Bop origins, but has expanded on them. Stanley Crouch says in his New York Times article on Charles, “He is a singular voice who has never sacrificed the fluidity of his melody makinga singular voice who has never sacrificed the fluidity of his melody making, and is held in high esteem by musicians both long seasoned and young.”... See MoreSee Less